这是一份早期 1990 年代关于与HIV感染者的采访和讨论的近距离录制合集。
“我们必须使用这些形式，无论它们多么陈旧，以便实验和开发新的形式。这就是我对艺术和纪录片的看法：除非我们使用现有的形式，否则我们如何为受艾滋病影响的人开发更有效的表现方式？这意味着使用陈词滥调的形式，但我们可以尝试改变它们并使它们对我们产生意义，以便我们提出的东西与我们被呈现出来的东西根本不同。这是根本不同的，因为这是“我们”对我们的情况进行意义构建，而不是仅仅等待文化的邀请，别人总是定义着它。”——道格拉斯·克林普和格雷格·博多威茨，《艾滋病的艺术与行动》，霍伊特·L·谢尔曼画廊和俄亥俄州立大学，1989年。
An up-close compilation of interviews and discussions with people living with HIV in the early 1990s.
“We have to use these forms, no matter how tired they are, in order to experiment and to develop new forms. It’s the way I feel about art and documentaries: how are we going to develop more effective means of representation ‘for us’, for the people who are affected by AIDS, unless we use the available forms? That means employing clichéd forms. What we can try to do is to alter them and make them signify for us, so that what we come up with is something radically different than what is presented to us. It’s radically different because it’s ‘us’ making meaning about our situation, and not just waiting for an invitation from the culture, which someone else has always defined.” — Douglas Crimp & Gregg Bordowitz, Art and Activism in AIDS, the artists’ response, Hoyt L. Sherman Gallery, and Ohio State University, 1989
Language(s) English Subtitles included: none（G5V.NET）
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